Beth Tate

Working in clay has been one of the best experiences of my life. It continually engages me like no other medium.

Like many potters my background began in painting. I initially wanted to use clay as a canvas for my ideas. That notion quickly faded after the first few years of working in ceramics. I now embrace my silent partner, the Kiln Goddess.  She never ceases to thrill or infuriate me.

I work in oxidation, cone 5, with an electric kiln.



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